Tuesday, January 28, 2014

                Andrea seems to be a womanizer similar to Don Juan, but upon close inspection, he shows characteristics of a man plagued with a broken heart. Elena’s cold distant attitude to Andrea has created a hole in his heart to which he feels must be filled with cheap meaningless sex with other women. In fact he goes as far as picturing each of the women he’s been with as Elena. This senseless passion is slowly devouring him and placing him into dangerous situations such as his duel with Rútolo which leaves him nearly dead. Prior to this, he seemed like a headstrong twenty-something year old with not enough regrets to have so he almost has a desire to create some with reckless abandonment. His attitude on life changes dramatically as he recovers. He becomes enlightened, almost poetic in describing his scope of the world.

                Gabrielle D’Annunzio was describing the italic nobility in very fond terms and found the democratic ways of modernity to be a scourge on the culture. He describes them in a very amiable style, claiming that the class “rendered all the splendor in the sweet life of the eighteenth century” (33). His reasoning is the way in which they lived provided a litany of remarkable accomplishments such as the writing of operas or poems. Since D’Annunzio was a decadence writer and used quite a bit of symbolism, this was probably his way of pushing his political beliefs into his books. Along with the fact that he was a well known proponent of fascism, in which there is a belief that the ruling class should remain in power and that social inequality will lead to failure. It also propagates the idea of Italian nationalism which is why he spoke specifically of italic nobility. Another tie into fascism is the invitation of the Japanese ambassador. The fact that he is at the party leads us to believe he is in fact respected amongst the other party-goers however he is said to only be there for the entertainment of the guests. They tend to mock him quite thoroughly and treat him as more of an object of fascination than a person. This can describe the tentative alliance between Japan and Italy at the time, where they have similar ideals and seem to respect one another, there is very little respect when the doors are closed.

2 comments:

  1. I agree that Andrea is a womanizer, however I do not agree that Elena has broken his heart and caused his choices to sleep with several other women. There are several passages throughout Book 1 that support the idea that Andrea is much more concerned with his ability to seduce Elena and his own words/advances to her than his relationship with her. For example, on page 14 it says, "as soon as the immediate object from which his spirit drew that type of fatuous exaltation distanced itself, he had almost immediately regained his tranquility, his everyday consciousness, his equilibrium," which tells the reader that the moment Elena left, Andrea was almost completely unaffected by the passionate interaction he had with her moments before her departure. Andrea therefore, does not continue to be a womanizer because of his separation from Elena, but rather because he is constantly looking for someone in his vicinity that will entertain him and temporarily fill this mysterious void of his.

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  2. Andrea may be suffering from a broken heart, due to his lack of success with Elena and/or her cold and distant attitude towards him. However, Andrea's emotions are very dramatic and go from extreme joy to extreme sadness (and vice versa) almost instantly. For example, Andrea is full of joy and completely in love until Elena looks at him funny at a party and Andrea is immediately thrust into a deep and severe sadness.
    Elena controls Andrea throughout the entire story. Every time she is around Andrea, he completely loses all self control. He professes his love in nearly every scene he is with her, no matter how early or late into the story the reader is. Andrea is madly in love with Maria until he spots Elena walking the streets of Rome one day. After that, he cannot get enough of Elena. Elena's influence over Andrea is so strong that it ultimately ruins Andrea's relationship with Maria.

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