Andrea
seems to be a womanizer similar to Don Juan, but upon close inspection, he
shows characteristics of a man plagued with a broken heart. Elena’s cold
distant attitude to Andrea has created a hole in his heart to which he feels
must be filled with cheap meaningless sex with other women. In fact he goes as
far as picturing each of the women he’s been with as Elena. This senseless passion
is slowly devouring him and placing him into dangerous situations such as his
duel with Rútolo which leaves him nearly dead. Prior to this, he seemed like a
headstrong twenty-something year old with not enough regrets to have so he
almost has a desire to create some with reckless abandonment. His attitude on
life changes dramatically as he recovers. He becomes enlightened, almost poetic
in describing his scope of the world.
Gabrielle
D’Annunzio was describing the italic nobility in very fond terms and found the
democratic ways of modernity to be a scourge on the culture. He describes them
in a very amiable style, claiming that the class “rendered all the splendor in
the sweet life of the eighteenth century” (33). His reasoning is the way in
which they lived provided a litany of remarkable accomplishments such as the
writing of operas or poems. Since D’Annunzio was a decadence writer and used
quite a bit of symbolism, this was probably his way of pushing his political beliefs
into his books. Along with the fact that he was a well known proponent of fascism,
in which there is a belief that the ruling class should remain in power and
that social inequality will lead to failure. It also propagates the idea of Italian
nationalism which is why he spoke specifically of italic nobility. Another tie
into fascism is the invitation of the Japanese ambassador. The fact that he is
at the party leads us to believe he is in fact respected amongst the other
party-goers however he is said to only be there for the entertainment of the
guests. They tend to mock him quite thoroughly and treat him as more of an
object of fascination than a person. This can describe the tentative alliance
between Japan and Italy at the time, where they have similar ideals and seem to
respect one another, there is very little respect when the doors are closed.
I agree that Andrea is a womanizer, however I do not agree that Elena has broken his heart and caused his choices to sleep with several other women. There are several passages throughout Book 1 that support the idea that Andrea is much more concerned with his ability to seduce Elena and his own words/advances to her than his relationship with her. For example, on page 14 it says, "as soon as the immediate object from which his spirit drew that type of fatuous exaltation distanced itself, he had almost immediately regained his tranquility, his everyday consciousness, his equilibrium," which tells the reader that the moment Elena left, Andrea was almost completely unaffected by the passionate interaction he had with her moments before her departure. Andrea therefore, does not continue to be a womanizer because of his separation from Elena, but rather because he is constantly looking for someone in his vicinity that will entertain him and temporarily fill this mysterious void of his.
ReplyDeleteAndrea may be suffering from a broken heart, due to his lack of success with Elena and/or her cold and distant attitude towards him. However, Andrea's emotions are very dramatic and go from extreme joy to extreme sadness (and vice versa) almost instantly. For example, Andrea is full of joy and completely in love until Elena looks at him funny at a party and Andrea is immediately thrust into a deep and severe sadness.
ReplyDeleteElena controls Andrea throughout the entire story. Every time she is around Andrea, he completely loses all self control. He professes his love in nearly every scene he is with her, no matter how early or late into the story the reader is. Andrea is madly in love with Maria until he spots Elena walking the streets of Rome one day. After that, he cannot get enough of Elena. Elena's influence over Andrea is so strong that it ultimately ruins Andrea's relationship with Maria.