Natalia Ginzburg's The Little Virtues, is a clearly,
concisely written novel that conveys Ginzburg's perspective on particular
scenarios in life. Certain sections of the novel are more personal for
the author, such as "My Vocation," whereas other sections, such as
"Human Relationships" delves into a complex topic that the reader can
relate to. One of the sections I found particularly interesting is the section
entitled, "England: Eulogy and Lament." This part of the novel is
quite critical of English society. Ginzburg discusses the gloominess,
superficiality, and melancholia of the country's customs. For example,
she says, "But we quickly realize that in this country vulgarity is always
overpowered by melancholy" (23). Ginzburg claims the people of
England to be dreary and melancholic to the extent that they cannot be blamed
for their impolite acts. The severity of Ginzburg's opinions of England increases
when she says, "The English have no imagination: and yet they do show
imagination in two things--two only. In the evening-clothes worn by old ladies,
and in their cafes" (24). She continues to say, "nothing in the world
is sadder than an English conversation, in which everyone is careful to keep to
superficialities and never touch on anything essential" (25). These
bold statements are harsh and somewhat shocking to the reader. Ginzburg
is not afraid to share her opinion, no matter how blunt, with her audience.
This genuine quality in Ginzburg's writing is what makes her novel
intriguing. Although her statements are often critical, her honesty is
refreshing.
Including her criticisms inspired by post-war society and politics, The Little Virtues exists as a collection of life lessons--lessons learned by the author personally and lessons that the reader is made to encounter through reading the collection. Among the most critical of the short stories is Ginzburg's "England:Eulogy and Lament." Exploring the gloominess, superficiality, and melancholy of the country, Ginzburg makes a statement about the dangers of a government with too much control: "The English have no imagination: and yet they do show imagination in two things--two only. In the evening clothes worn by old ladies, and in their cafes" (24). The extent of the English's melancholy is such that they cannot be blamed for their own faults. The word "melancholy" implies a sadness for something that is lost without knowing what is lost. They cannot be blamed for what has been taken from them. The extent of their melancholy is even present in their conversations: "Nothing in the world is sadder than an English conversation, in which everyone is careful to keep to superficiality and never touch on anything essential" (25). Ginzburg is no stranger to the art of political satire and she is sure not to keep her criticisms subtle; but, there is something to be learned from her honesty. In speaking out about the English society, she is doing exactly what the English are careful not to do.
ReplyDeleteNatalia Ginzburg is extremely critical of the English in "England: Eulogy and Lament." However, I think her criticism is not only of the English but of herself as well, serving as a metaphor of her life. For one to be critical they must reject the current. In other words, she is using her criticism as a defense mechanism to reject her sadness. She has dealt with a number of struggles and is able to make a comparison with the people of England.
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