Zeno’s Conscience by Italo Svevo is quite the genius
piece of literature. It examines the nature of self-reflection and
psychoanalysis by guising itself as the journals of the titular character,
Zeno, going through psychoanalysis in an attempt to quit smoking. By pretending
to be a journal, we are given a somewhat limited and un-trustworthy narrator
who lies quite a bit to his own journal. This is the narrative equivalent of
one lying to oneself. This lies are what makes this novel stand out as they
examine the nature of how we tend to view ourselves.
The lies are not necessarily lies,
but rather contradictions. But contradictions require at least one of the
statements to be false in order for it to be logically sound. Therefore every
contradiction implies a lie. Zeno’s recollections are filled to the brim with
contradictions so it cannot be a mistake by the author. Svevo’s intentional
insertion of the lies means that they have some value to them. Each of the lies
is typically done out of shame on the part of Zeno. He regularly lies almost in
an attempt to overcome his regret. This encompasses the important concept found
within in Freudian psychoanalysis called psychological repression. This is when
and individual attempts to un-consciously hide and forget painful memories, and
Zeno must be doing this un-consciously as he has no real reason to lie to a
journal. The entire book is critical of psychoanalysis but isn’t necessarily in
disagreement with it. Zeno clearly voices his distaste for it early on the book
when he reads about it calling it boring yet simple (Svevo, 5). Though Zeno’s
skepticism isn’t necessarily shared by Svevo and could in fact be Svevo
critiquing the distrust of psychoanalysis.
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